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The Jewish Quarterly: Jews in the American Porn Industry
02-14-2014, 08:02 PM
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The Jewish Quarterly: Jews in the American Porn Industry
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Nathan Abrams on Jews in the American porn industry

Nathan Abrams is a Lecturer in Modern American History at the University of Aberdeen.

Nathan Abrams | Winter 2004 - Number 196

A story little told is that of Jews in Hollywood’s seedier cousin, the adult film industry. Perhaps we’d prefer to pretend that the ‘triple-exthnics’ didn’t exist, but there’s no getting away from the fact that secular Jews have played (and still continue to play) a disproportionate role throughout the adult film industry in America. Jewish involvement in pornography has a long history in the United States, as Jews have helped to transform a fringe subculture into what has become a primary constituent of Americana. These are the ‘true blue Jews’.

Smut peddlers

Jewish activity in the porn industry divides into two (sometimes overlapping) groups: pornographers and performers. Though Jews make up only two per cent of the American population, they have been prominent in pornography. Many erotica dealers in the book trade between 1890 and 1940 were immigrant Jews of German origin. According to Jay A. Gertzman, author of Bookleggers and Smuthounds:The Trade in Erotica, 1920-1940 (Philadelphia: University of Pennsylvania Press, 1999), ‘Jews were prominent in the distribution of gallantiana [fiction on erotic themes and books of dirty jokes and ballads], avant-garde sexually explicit novels, sex pulps, sexology, and flagitious materials’.

In the postwar era, America’s most notorious pornographer was Reuben Sturman, the ‘Walt Disney of Porn’. According to the US Department of Justice, throughout the 1970s Sturman controlled most of the pornography circulating in the country. Born in 1924, Sturman grew up in Cleveland’s East Side. Initially, he sold comics and magazines, but when he realized sex magazines produced twenty times the revenue of comic books, he moved exclusively into porn, eventually producing his own titles and setting up retail stores. By the end of the 1960s, Sturman ranked at the top of adult magazine distributors and by the mid-70s he owned over 200 adult bookstores. Sturman also introduced updated versions of the traditional peepshow booth (typically a dark room with a small colour TV on which the viewer can view X-rated videos). It was said that Sturman did not simply control the adult-entertainment industry; he was the industry. Eventually he was convicted of tax evasion and other crimes and died, disgraced, in prison in 1997. His son, David, continued running the family business.

The contemporary incarnation of Sturman is 43-year-old Jewish Clevelander Steven Hirsch, who has been described as ‘the Donald Trump of porno’. The link between the two is Steve’s father, Fred, who was a stockbroker-cum-lieutenant to Sturman. Today Hirsch runs the Vivid Entertainment Group, which has been called the Microsoft of the porn world, the top producer of ‘adult’ films in the US. His specialty was to import mainstream marketing techniques into the porn business. Indeed, Vivid parallels the Hollywood studio system of the 1930s and 1940s, particularly in its exclusive contracts to porn stars who are hired and moulded by Hirsch. Vivid was the subject of a behind-the-scenes reality TV show recently broadcast on Channel 4.

Nice Jewish girls and boys

Jews accounted for most of the leading male performers as well as a sizeable number of female stars in porn movies of the 1970s and ‘80s. The doyen of the Hebrew studs is Ron Jeremy. Known in the trade as ‘the Hedgehog’, Jeremy is one of America’s biggest porn stars. The 51-year-old Jeremy was raised in an upper-middle-class Jewish family in Flushing, Queens, and has since appeared in more than 1,600 adult movies, as well as directing over 100. Jeremy has achieved iconic status in America, a hero to males of all ages, Jewish and gentile alike - he’s the nebbischy, fat, hairy, ugly guy who gets to bed dozens of beautiful women. He presents an image of a modern-day King David, a Jewish superstud who supersedes the traditional heroes of Jewish lore. No sallow Talmud scholar he. His stature was recently cemented with the release of a pornomentary about his life, Porn Star: The Legend of Ron Jeremy. As probably the most famous Jewish male porn star, Jeremy has done wonders for the psyche of Jewish men in America. Jeremy has also just released a compilation CD, Bang-A-Long-With Ron Jeremy. For £7.99 (including delivery), the lucky listener gets to enjoy Jeremy’s hand-picked favourite porno grooves along with narration by ‘the legend’ himself. As the publicity blurb gushes, ‘Out of the brown paper wrappings and into the mainstream’.

Seymore Butts, aka Adam Glasser, is everything that Jeremy is not: young, handsome and toned. Glasser, a 39-year-old New York Jew, opened a gym in 1991 in Los Angeles. When no one joined, he borrowed a video camera for 24 hours, went to a nearby strip club, recruited a woman, then headed back to his gym and started shooting. Although the movie stank, with a bit of chutzpah and a few business cards he wangled a deal with a manufacturer and started cranking out films. Within a few years, ‘Seymore Butts’ – his nom de porn which is simultaneously his sales pitch – became one of the largest franchises in the adult-film business. As the king of the gonzo genre (marked by handheld cameras, the illusion of spontaneity and a low-tech aesthetic meant to suggest reality), he is today probably the most famous Jewish porn mogul. Seymore Inc., his production company, releases about 36 films annually, most of them shot for less than $15,000, each of them grossing more than 10 times that sum. Glasser employs 12 people, including his mother and cousin Stevie as respectively genial company accountant (and matchmaker for her single son) and lovable but roguish general gopher. Glasser currently even has his own reality TV show (also broadcast on Channel 4), a ten-episode docu-soap called Family Business, whose opening credits show Glasser’s barmitzvah photo.

In search of a buck

Jews became involved in the porn industry for much the same reasons that their co-religionists became involved in Hollywood. They were attracted to an industry primarily because it admitted them. Its newness meant that restrictive barriers had not yet been erected, as they had in so many other areas of American life. In porn, there was no discrimination against Jews. During the early part of the twentieth century, an entrepreneur did not require large sums of money to make a start in the film business; cinema was considered a passing fad. In the porn business, it was similarly straightforward to get going. To show ‘stag’ movies or loops, as they were known, all one needed was a projector, screen and a few chairs. Not tied up with the status quo and with nothing to lose by innovation, Jews were open to new ways of doing business. Gertzman explains that

"Jews, when they found themselves excluded from a field of endeavour, turned to a profession in which they sensed they could eventually thrive by cooperating with colleagues in a community of effort . . . Jews have for a very long time cultivated the temperament and talents of middlemen, and they are proud of these abilities".

The adult entertainment business required something that Jews possessed in abundance: chutzpah. Early Jewish pornographers were marketing geniuses and ambitious entrepreneurs whose toughness, intelligence and boundless self-confidence were responsible for their successes.

Of course, the large number of Jews in porn were mainly motivated by the desire to make profits. Just as their counterparts in Hollywood provided a dream factory for Americans, a blank screen upon which the Jewish moguls’ visions of America could be created and projected, so the porn-moguls displayed a talent for understanding public tastes. What better way to provide the stuff of dreams and fantasies than through the adult-entertainment industry? Performers did porn for the money. As ADL National Director Abraham H. Foxman commented, ‘Those Jews who enter the pornography industry have done so as individuals pursuing the American dream.’

Secular sex

Like their mainstream counterparts, Jews who enter porn do not usually do so as representatives of their religious group. Most of the performers and pornographers are Jewish culturally but not religiously. Many are entirely secular, Jews in name only. Sturman, however, identified as a Jew - he was a generous donator to Jewish charities - and performer Richard Pacheco once interviewed to be a rabbinical student.

Very few, if any, porn films have overtly Jewish themes, although Jeremy once tried to get several Jewish porn stars together to make a kosher porn film. The exception is Debbie Duz Dishes, in which Nina Hartley plays a sexually insatiable Jewish housewife who enjoys sex with anyone who rings the doorbell. It has sold very well, spawned a couple of sequels and is currently very hard to buy - perhaps indicating a new niche to exploit. Indeed, according to an editorial on the World Union of Jewish Students website,

"there are thousands of people searching for Jewish porn. After things like Jewish calendar, Jewish singles, Jewish dating, and Jewish festivals comes ‘Jewish porn’ in the list of top search keywords that GoTo.com provide".

Sexual rebels

Is there a deeper reason, beyond the mere financial, as to why Jews in particular have become involved in porn? There is surely an element of rebellion in Jewish X-rated involvement. Its very taboo and forbidden nature serves to make it attractive. As I written in these pages before, treyf signifies ‘the whole world of forbidden sexuality, the sexuality of the goyim, and there all the delights are imagined to lie . . .’ (‘Reel Kashrut: Jewish food in film’, JQ 189 [Spring 2003]).

According to one anonymous industry insider quoted by E. Michael Jones in the magazine Culture Wars (May 2003), ‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools’. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.

Furthermore, as Orthodox Jew and porn gossipmonger Luke Ford explains on his website (lukeford.net): ‘Porn is just one expression of [the] rebellion against standards, against the disciplined life of obedience to Torah that marks a Jew living Judaism.’ It is also a revolt against (often middle-class) parents who wish their children to be lawyers, doctors and accountants. As performer Bobby Astyr put it on the same website, ‘It’s an “up yours” to the uncles with the pinky rings who got down on me as a kid for wanting to be musician.’

As religious influences waned and were replaced by secular ones, free-thinking Jews, especially those from California’s Bay Area, viewed sex as a means of personal and political liberation. America provided the freest society Jews have ever known, as manifested by the growth of the adult industry. Those Jewish women who have sex onscreen certainly stand in sharp contradiction to the stereotype of the ‘Jewish American Princess’. They (and I’m speculating here) may have seen themselves as fulfilling the promise of liberation, emancipating themselves from what feminist Betty Friedan in 1963 called the ‘comfortable concentration camp’ of the household as they set out into the Promised Land of the porno sets of Southern California. It signified their economic and social freedom: they were free to choose to enter, rather than coerced into it by economic and other circumstances. Once they had lain down, they could stand on their own two feet, particularly as female performers typically earn twice as much as their male counterparts.

Sexual revolutionaries

Extending the subversive thesis, Jewish involvement in the X-rated industry can be seen as a proverbial two fingers to the entire WASP establishment in America. Some porn stars viewed themselves as frontline fighters in the spiritual battle between Christian America and secular humanism. According to Ford, Jewish X-rated actors often brag about their ‘joy in being anarchic, sexual gadflies to the puritanical beast’. Jewish involvement in porn, by this argument, is the result of an atavistic hatred of Christian authority: they are trying to weaken the dominant culture in America by moral subversion. Astyr remembers having ‘to run or fight for it in grammar school because I was a Jew. It could very well be that part of my porn career is an “up yours” to these people’. Al Goldstein, the publisher of Screw, said (on lukeford.net), ‘The only reason that Jews are in pornography is that we think that Christ sucks. Catholicism sucks. We don’t believe in authoritarianism.’ Pornography thus becomes a way of defiling Christian culture and, as it penetrates to the very heart of the American mainstream (and is no doubt consumed by those very same WASPs), its subversive character becomes more charged. Porn is no longer of the ‘what the Butler saw’ voyeuristic type; instead, it is driven to new extremes of portrayal that stretch the boundaries of the porn aesthetic. As new sexual positions are portrayed, the desire to shock (as well as entertain) seems clear.

It is a case of the traditional revolutionary/radical drive of immigrant Jews in America being channelled into sexual rather than leftist politics. Just as Jews have been disproportionately represented in radical movements over the years, so they are also disproportionately represented in the porn industry. Jews in America have been sexual revolutionaries. A large amount of the material on sexual liberation was written by Jews. Those at the forefront of the movement which forced America to adopt a more liberal view of sex were Jewish. Jews were also at the vanguard of the sexual revolution of the 1960s. Wilhelm Reich, Herbert Marcuse and Paul Goodman replaced Marx, Trotsky and Lenin as required revolutionary reading. Reich’s central preoccupations were work, love and sex, while Marcuse prophesied that a socialist utopia would free individuals to achieve sexual satisfaction. Goodman wrote of the ‘beautiful cultural consequences’ that would follow from legalizing pornography: it would ‘ennoble all our art’ and ‘humanize sexuality’. Pacheco was one Jewish porn star who read Reich’s intellectual marriage of Freud and Marx (lukeford.net):

"Before I got my first part in an adult film, I went down to an audition for an X-rated film with my hair down to my ass, a copy of Wilhelm Reich’s Sexual Revolution under my arm and yelling about work, 'love and sex'."

As Rabbi Samuel H. Dresner put it (E. Michael Jones, ‘Rabbi Dresner’s Dilemma: Torah v. Ethnos’ Culture Wars, May 2003), ‘Jewish rebellion has broken out on several levels’, one being ‘the prominent role of Jews as advocates to sexual experimentation’. Overall, then, porn performers are a group of people who praise rebellion, self-fulfilment and promiscuity.

What are we ashamed of?

This brief overview and analysis of the role and motivations behind pornographers and performers is intended to shed light on a neglected topic in American Jewish popular culture. Little has been written about it. Books such as Howard M. Sachar’s A History of the Jews in America (New York: Knopf, 1992) simply ignore the topic. And you can bet that the 350th anniversary of the arrival of the Jews in the United States did not include any celebrations of Jewish innovation in this field. Even the usually tolerant Time Out New York has been too prim to deal with it, although the more iconoclastic Heeb plans an issue on it. In light of the relatively tolerant Jewish view of sex, why are we ashamed of the Jewish role in the porn industry? We might not like it, but the Jewish role in this field has been significant and it is about time it was written about seriously.

Those who know, know! Big Grin
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02-14-2014, 10:41 PM
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RE: The Jewish Quarterly: Jews in the American Porn Industry
From what I understand, this is one of the issues that has led to persecution of Jews in multiple places. I recall the Nazi regime citing the promotion of pornography and depictions of homosexuality by Jews in Germany as a corrupting influence on German society. I recall reading about other nations citing this as well.

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02-15-2014, 02:47 AM
Post: #3
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-14-2014 10:41 PM)johan Wrote:  From what I understand, this is one of the issues that has led to persecution of Jews in multiple places. I recall the Nazi regime citing the promotion of pornography and depictions of homosexuality by Jews in Germany as a corrupting influence on German society. I recall reading about other nations citing this as well.

http://www.veteranstoday.com/2013/09/24/...r-germany/

The Sexual Decadence of Weimar Germany

Quote:“The decay of moral values in all areas of life—the period of deepest German degradation—coincided exactly with the height of Jewish power in Germany.” — Dr Friederich Karl Wiehe, Germany and the Jewish Question. [1]

By . . . Lasha Darkmoon

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Otto Dix, Metropolis (1928).

Berlin in the heyday of the Weimar Republic: a hedonistic hell pit of sexual depravity.

No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic (1919-1933) following World War One.

This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Jewish control.
______________________________
1. THE CULTURAL TAKEOVER OF GERMANY BY THE JEWS

Dr Karl Wiehe, in his Germany and the Jewish Question, is painstaking in the details he provides:

Quote:Well before 1933 the Jews had taken possession of the film industry even more thoroughly than of the theater. That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity….

The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.

It was Jews who introduced this pornographic “art form” to Germany, a debased genre completely unknown before the Great War, and so it is the Jews who can be held responsible for the general decline in morals.
The Jewish sexologists Ivan Bloch and Magnus Hirschfeld became the representatives of “sex research” camouflaged as science—a bogus science that was merely an excuse for pornography and propaganda designed to destroy the institute of marriage and the sanctity of the family. [2]


Wiehe provides the following useful facts and statistics:

In 1931, over 60 percent of German films were produced by Jews and 82 percent of the film scripts were written by Jewish writers, though Jews made up less than 1 percent of the German population (0.90%). A quick look at the names of directors, producers, stage managers, actors, script writers and critics, “revealed everywhere an overwhelming preponderance of Jews.”

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Alexander Szekely, German brothel in Ghent

A cursory survey of the film titles, Wiehe tells us, shows us that the Jews had only one thing on the brain: sex. Here are some typical titles: “Moral und Sinnlichkeit” (Morals and Sensuality); “Was kostet Liebe?” (What is the Price of Love); “Wenn ein Weib den Weg verliert” (When a Woman loses her Way); “Prostitution” (Prostitution); “Sündige Mutter” (Sinful Mama); “Das Buch des Lasters” (The Book of Vices).

“The sensational titles correspond to the sleazy contents,” Wiehe complains. “All wallow in filth and display with cynical frankness the vilest scenes of sexual perversion.” [3]

Light entertainment (revue/burlesque) was a Jewish innovation. The revue theaters, all concentrated within great cities such as Berlin, were owned and run almost exclusively by Jews.

Shows consisted of little more than excuses for sexual titillation involving the display of the female form in lascivious dances that were to degenerate later into striptease and scenes of public masturbation.

“In these revues,” Wiehe notes indignantly, “the uninhibited sex drive surrendered itself to disgusting orgies. All life was reduced to a common denominator of lust and its satisfaction. Chastity and self-discipline were mocked as old-fashioned prejudices.”

Quote:The Jews had managed, in the space of a mere fourteen years, to bring about a major “transvaluation of values” [4] in Weimar Germany. The vices of the past were now its virtues. The only vice that remained was chastity.

A glance at the revue titles is again sufficient: “Zieh dich aus” (Get Undressed); “Tausend nackte Frauen” (One Thousand Naked Women); “Die Sünden der Welt” (The Sins of the World); “Häuser der Liebe” (The Houses of Love); “Streng Verboten!” (Strictly Forbidden!); “Sündig und Süss” (Sweet and Sinful). [5]

Finally, there was the rich field of sexology: a new science consisting largely of dubious “case histories” purporting to reveal the depraved sexual habits of various anonymous patients. In order to give an air of academic respectability and erudition to these masturbatory fantasies—thrilling adventure stories involving necrophilia, bestiality and handkerchief fetishism—the more exciting details were often given in vulgar Latin “in order to exclude the lay reader.” [6]

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Otto Dix, The Salon, 1921
Berlin prostitutes awaiting the pleasures of the evening

However, it was not long before the Latin was diligently translated into the vernacular for the benefit of the unlatined lay reader, thus defeating the purpose of the prim “schoolmaster’s Latin”.

Wiehe reels off a long list of Jewish sexologists who he claims were in the forefront of writing such salacious treatises that were no more than pornography masquerading as science.

Drs Magnus Hirschfeld [7] and Ivan Bloch [8] were the star writers in this field, their books still read avidly today by a gullible public hungry for details of the bizarre, the kinky and the perverse. Drs Ludwig Lewy-Lenz, Leo Schidrowitz, Franz Rabinowitsch, Georg Cohen, and Albert Eulenburg are some of the names Wiehe mentions.

Here are some of their depressing titles: “Sittengeschichte des Lasters” (The History of Perversions); “Sittengeschichte des Schamlosigkeit” (The History of Shamelessness); “Bilderlexikon der Erotic” (Picture Lexicon of Eroticism); “Sittengischichte des Geheime und Verbotene” (The History of the Secret and the Forbidden).

And here are some of the titles published by Dr Magnus Hirschfeld’s Institute of Sexual Science in Berlin [9]: Aphrodisiacs, Prostitution, Sexual Catastrophes, Sexual Pathology, The Perverted. Wiehe describes all these books as “the filthy publications of these pseudo-scientists”, all of them written by Jewish authors and published by Jewish publishers.

He continues in the same acerbic vein:

Quote:These books were allegedly supposed to be scientific treatises, their ostensible purpose being to “educate” the broad masses about the dangers of sexual excesses. Under the guise of science, however, they speculated in the lust and lower instincts of their audience. Criminals, prostitutes and homosexuals took center stage in their repertoire. One looks in vain for any known non-Jewish “sexual scientist”! [10]

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It was in Weimar Germany, long before Hannibal Lecter, that the serial killer was to become an iconic figure — a source of secret fantasies and frissons.

Wiehe points out that masturbation, hitherto a hole-in-corner vice, began to be shamelessly promoted for the first time in Weimar Germany by Jewish-run organizations.

He mentions Dr Max Hodan, Jewish medical officer for Berlin, and ticks him off for circulating a booklet recommending regular masturbation for the working classes.

It is worth noting that one of the world’s worst serial killers, Peter Kürten, committed all his crimes in Germany during the 1925-1930 period.

This was of course the heyday of the Weimar Republic when the German people lay completely under Jewish domination and when the first dress rehearsal for the later Sexual Revolution of the 1960s was arguably being run.

Significantly, when asked what his primary motive for murder was, Kürten replied: “to strike back at an oppressive society.” [11]

This was a society in which the serial killer was to become a popular icon, enough to create a whole genre of sensational sex crime literature. (See book title on left). [12]

2. THE DESCENT INTO SEXUAL DEPRAVITY

British historian Sir Arthur Bryant describes throngs of child prostitutes outside the doors of the great Berlin hotels and restaurants.

He adds: “Most of them—the night clubs and vice resorts—were owned and managed by Jews. And it was the Jews among the promoters of this trade who were remembered in after years.” [13]

Arriving in Berlin during the hyperinflation crisis (1923), Klaus Mann—son the great German novelist Thomas Mann—remembered walking past a group of dominatrices:

Quote:Some of them looked like fierce Amazons, strutting in high boots made of green, glossy leather. One of them brandished a supple cane and leered at me as I passed by. ‘Good evening, madam,’ I said. She whispered in my ear, ‘Want to be my slave? Costs only six billions and a cigarette.’ [14]

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Georg Grosz, Before Sunrise. Prostitutes and their clients in the red-light district… this is how they actually dressed and paraded themselves in the garish, lamp-lit streets.

Ten year old children turned tricks in the railway stations. A group of 14-year-old Russian girls, refugees from the Red Terror in Stalin’s Communist slaughter house, managed to make a lucrative living in Berlin as dominatrices.

Little girls were freely available for sex not only in child brothels and pharmacies but could be ordered by telephone and delivered to clients by taxi, like takeaway meals.

Particularly bizarre were mother-and-daughter teams offering their services to the same client simultaneously.

Mel Gordon writes: “One French journalist, Jean Galtier-Boissière, described, in sickly pornographic detail, the creeping horror of feeling a nine-year-old girl’s tiny, but proficient, fingers stroking his upper thigh while the broken-toothed mother covered his face with hot sucking kisses.” [15]

In Mel Gordon’s Voluptuous Panic: The Erotic World of Weimar Berlin, we enter a depressingly sordid milieu akin to the subterranean world of the sewer rat: a world which owed its existence in large part to German Jewry.

Without Jewish money and influence, such a world would never have come into being. Nor was there anything the Germans could do to extricate themselves from this artificially created hothouse of erotomania and sexual deviance in which they now found themselves ensnared.

There were no fewer than 17 different prostitute types in this Jew-created brothel city: eight outdoor types and nine indoor ones, each with their specialities and slang terminology.

Outdoor prostitutes: (1) Kontroll Girls: legal prostitutes checked for venereal disease. (2) Half-Silks: part-time amateurs with day jobs as office workers, secretaries and shopgirls; evening and weekend workers. (3) Grasshoppers: lowly streetwalkers who gave handjobs and standup sex in dark alleys. (4) Nuttes: Boyish teenage girls who worked for “pocket money” after school without their parents’ knowledge. (5) Boot-girls: dominas (or dominatrices) in shiny patent leather boots who offered to stamp all over their clients. (6) Tauentzien girls: Chic mother-and-daughter teams, fashionably dressed, who offered their services to men who wanted threesomes. (7) Münzis: Heavily pregnant women who waited under lampposts (very expensive, since they offered an erotic speciality). (8) Gravelstones: hideous hags with missing limbs, hunchbacks, midgets, and women with various deformities. “The most common German word for them was Kies. In other accounts, they were referred to as Steinhuren.” [16]

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Otto Dix, Three Wenches. These prostitutes were willing to work individually or in a team.

Indoor prostitutes: (1) Chontes: Low-grade Jewish prostitutes, mostly Polish, who picked up their clients in railway stations. (2) Fohses (French argot for “vaginas”): Elegant females who discreetly advertised in magazines and newspapers as private masseuses and manicurists. (3) Demi-castors (or “half-beavers”): Young women from good families who worked in high-class houses in the late afternoons and early evenings. (4) Table-ladies: Ravishingly beautiful escorts of exotic appearance who came with the reserved table in an exclusive nightclub.
Clients had to be fabulously rich in order to afford the cultured conversation of these high-class call girls who accompanied the caviar and champagne and who later unveiled their charms in a sumptuously furnished chamber of delights.

(5) Dominas: Leather-clad women, athletic and Amazonian, who specialized in whipping and erotic humiliation. They were often found in lesbian nightclubs which also catered for kinky males. (6) Minettes (French for “female cats”): Exclusive call girls who offered S&M fantasy scenes, foot worship, bondage, and enforced transvestism.

They worked in top class hotels. (7) Race-horses: Masochistic prostitutes who let themselves be whipped in “schoolrooms” or “dungeons” liberally supplied with instruments of torture.

Clients were carefully screened to make sure they didn’t go too far. (8) ‘Medicine’: Child prostitutes (age 12-16), so called because they were prescribed as “medicine” in pharmacies. All the client needed to do was tell the pharmacist how many years he had suffered from his ailment (e.g., 12), without mentioning what ailment it was, and request the color of the pill he preferred (e.g., red).

He was then escorted to a cubicle where his “medicine” awaited him: a 12-year-old redhead. (9) Telephone-girls (often billed as “virgins”): expensive child prostitutes (ages 12-17) ordered by telephone like a takeaway meal; the nymphettes were delivered by limousine or taxi. [17]

Luigi Barzini, in his social memoir The Europeans, describes the saturnalian scene in the Tingel-Tangels or sleazy bordellos of sex-crazed Berlin in the 1920s, the Golden Age of the Jews:

Quote:I saw pimps offering anything to anybody: little boys, little girls, robust young men, libidinous women, animals. The story went the rounds that a male goose whose neck you cut at just the right ecstatic moment would give you the most delicious frisson of all—as it allowed you to enjoy sodomy, bestiality, homosexuality, necrophilia and sadism at one stroke. Gastronomy too, as one could eat the goose afterwards. [18]

In October 1923, when one US dollar could buy 4.2 billion marks and six wheelbarrows of banknotes could barely buy a loaf of bread, it was said that “the most exquisite blow job to be had in Berlin never cost an American tourist more than 30 cents.” [19]

“Berlin nightlife, my word, the world hasn’t seen anything like it!” Klaus Mann, son of the great German author Thomas Mann, enthused sardonically. “We used to have a first-class army. Now we have first class perversions.” [20]

German author Erich Kästner, writing of Weimar Berlin, was to reflect on the topography of the soul sickness that had now taken possession of the once proud city: “In the east there is crime; in the center the con men hold sway; in the north resides misery, in the west lechery; and everywhere—the decline.” [21]

German Jewish author Stephan Zweig has much to say about homosexuality, pointing out that even in Ancient Rome—where fourteen of the first fifteen Roman emperors were gay—the degree of drunken depravity and public shamelessness (“pervert balls”) was far less shocking than in Weimar Berlin:

Quote:Bars, amusement parks, honky-tonks sprang up like mushrooms. Along the entire Kurfürstendamm powdered and rouged men sauntered and they were not all professionals; every high school boy wanted to earn some money and in the dimly lit bars one might see government officials and men of the world of finance tenderly courting drunken sailors without any shame.

Even the Rome of Suetonius had never known such orgies as the pervert balls of Berlin, where hundreds of men costumed as women and hundreds of women as men danced under the benevolent eyes of the police.

In the collapse of all values a kind of madness gained hold. Young girls bragged proudly of their perversion; to be sixteen and still under suspicion of virginity would have been a disgrace.” [22]


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THE CITY OF DREADFUL JOY
Weimar Berlin, 1928

3. CONCLUSION: WEIMAR GERMANY AS A DRESS REHEARSAL FOR THE SUBSEQUENT SEXUAL REVOLUTION OF THE 1960s

My own impression, though I could well be mistaken here, is that Weimar Germany can be seen as a trial run or dress rehearsal for the Sexual Revolution of the 1960s, a revolution in attitudes and behavior that was to convulse America and then spread like a moral virus to Europe and the rest of the world.

Recollect that it was in Germany during the Weimar period—in 1923 to be exact—that the Institut für Sozialforschung was set up at the University of Frankfurt. Financed by the Argentian Jew Felix Weil, this was later to become the infamous Frankfurt School. [23]

It is my own hypothesis that the Germans were to be the initial guinea pigs of these Cultural Marxists [24], all of them initially Jewish apart from Habermas. These were revolutionaries intent on complete social control by the imposition of their Marxist worldview on the rest of society. It is self-evident that there is no other way to get control of a society with strong moral values than to weaken those values.
The formula is simple: destroy the belief system on which that society is founded, especially its religion and its traditional codes of honor and decency. Promote godlessness and a philosophy of despair. To put it in even plainer language: reduce men to beasts if you wish to control them.

It was George Lukács [25], one of the founding fathers of the Frankfurt School, who had called for “a culture of pessimism and a world abandoned by God.” [26] And it was one of their most fanatical ideologues, Willi Munzenberg [27], who had said he wanted to turn the world upside down and make life a hell on earth. His exact words:

Quote:We must organize the intellectuals and use them TO MAKE WESTERN CIVILIZATION STINK! Only then, after they have CORRUPTED ALL ITS VALUES AND MADE LIFE IMPOSSIBLE, can we impose the dictatorship of the proletariat. [28, emphasis added]

With Jewish intellectuals like this at the helm, doing their utmost to promote moral anarchy and create an Orwellian dystopia, is it any wonder that the Germans went helter-skelter down the slippery slope and ended up where they did?

In America the Cultural Marxists were to apply a variation of their Weimar techniques, but refined and honed to a high degree. This time, they would use multiculturalism as a weapon of mass destruction in addition to moral corruption. They would flood the country with immigrants, legal as well as illegal.

They would turn race against race (engineered ethnic conflict), parent against child (attack on authority), and man against woman (radical feminism). Above all, they would teach the non-White races to regard the White race as the ultimate evil: “the cancer of human history”, to quote Jewish feminist Susan Sontag. [29]

The above comments are admittedly controversial and will elicit anger in many quarters. For this I apologize. My purpose is simply to give voice to an urgent and widespread perception. Not to be able to say what many people increasingly believe is clearly undesirable.
What did the cultural Marxists learn from Weimar Germany?

They learned that the Sexual Revolution, in order to succeed, had to be a slow and gradual process. “Modern forms of subjection,” the Frankfurt School had learned, “are marked by mildness.” [30] Weimar had failed because the pace had been too frenetic. People were aware they were being corrupted. That was fatal.

To corrupt a nation effectively one must make sure that the descent into degradation is an infinitely slow and imperceptible process, one miniscule step at a time—just as those who wish to cook frogs alive in a saucepan, reducing them to a state of comatose stupor, are advised to place them in cold water and boil them to death as slowly as possible. [31]

Lest I be accused of antisemitism by this portrayal of the systematic sexual corruption of the German people at the hands of their Jewish masters—a classic instance of social engineering practiced on an entire population—let me allow a well-known and respected Jewish authority on the Weimar era to have the final word. He is Dr Manfred Reifer, and he is writing in a prestigious Jewish publication:

Whilst large sections of the German nation were struggling for the preservation of their race, we Jews filled the streets of Germany with our vociferations. We supplied the press with articles on the subject of its Christmas and Easter and administered to its religious beliefs in the manner we considered suitable. We ridiculed the highest ideals of the German nation and profaned the matters which it holds sacred.” — Dr Manfred Reifer, in the German Jewish magazine Czernowitzer Allegemeine Zeitung, September 1933

In the same month those words were written, September 1933, Adolf Hitler removed every single Jew from positions of influence in the mass media: from the fields of literature, art, music, journalism, the cinema, and popular entertainment in general [32].

The influence that the Jews had exerted on the German psyche was to be regarded henceforth, rightly or wrongly, as pernicious. And Kulturbolschewismus, or “Bolshevik culture”, a derogatory term for Jewish culture itself, became synonymous with moral anarchy and sexual decadence.
* * *
ENDNOTES

[1] Dr Friedrich Karl Wiehe, Germany and the Jewish Question. Published in 1938 in Berlin by the Institute for Studies of the Jewish Question, this eight-part booklet runs to approximately 23,500 words in the English translation.

As I have quoted this important work extensively both here and in my forthcoming 4-part essay How the Jews Rose to World Power, I felt it would be advisable to paraphrase/translate the defective Germanic English of the English version completely, quoting the original translation only when the English was free from grammatical and orthographical errors. Readers who know German are invited to consult the original German essay here: Deutschland und die Judenfrage.

[2] Wiehe, Ibid.

[3] Wiehe, Ibid.

[4] “transvaluation of values”

[5] Wiehe, Ibid.

[6] Krafft-Ebing’s Psychopathia Sexualis

[7] Magnus Hirschfeld (1868-1935). The first advocate for homosexual and transgender rights and himself a homosexual, Hirschfeld figured out that there were 64 different types of male, ranging from the extremely masculine heterosexual male to the extremely feminine homosexual male. Whether there are also 64 different types of females, ranging from the extremely feminine heterosexual female to the extremely masculine butch lesbian, is not clear. Described as the “the Einstein of Sex”, Hirschfeld thought abortion was a good thing and approved of miscegenation and the mongrelization of the White race.

[8] Ivan Bloch (1872-1922). Like Hirschfeld, Bloch was a Jewish homosexual whose main interest in life was sexual perversion. Author of the 3-volume Handbuch der gesamten Sexualwissenschaft in Einzeldarstellungen (“Handbook of Sexology in its Entirety Presented in Separate Studies”), Bloch was an expert on sadism and helped to popularize the work of the Marquis de Sade. He apparently discovered the manuscript of de Sade’s The 120 Days of Sodom and published it under a pseudonym in 1904, presumably pocketing the royalties.

[9] The Institute for Sexual Science (Institut für Sexualwissenschaft). Founded in 1919 in Berlin, the Institute was housed in a villa purchased by Hirschfeld not far from the Reichstag building. It housed his immense library of sex books, most of them pornographic, and offered the public advice on their sex problems (“medical consultations”). People from around Europe visited the Institute, including the homosexual duo Auden and Isherwood, “to gain a clearer understanding of their sexuality.” (Wikipedia). The Institute, which encouraged “educational” visits from school children, included a Museum of Sex full of pornographic pictures, dildos, “masturbation machines”, and other curiosities of a similar nature. In May 1933, after the Nazis had come to power, the Institute was attacked and thousands of its pornographic books and erotic artifacts destroyed in a “bonfire of the vanities” — this event later being portrayed by Jewish interests as a tragic loss to civilization, comparable only to the burning of the Great Library at Alexandria in 645 AD.

[10] Wiehe, Ibid.

[11] Peter Kurten, “to strike back at an oppressive society.”

[12] An example: Marina Tatar’s Lustmord: Sexual Murder in Weimar Germany.

[13] Sir Arthur Bryant, Unfinished Victory (1940), pp. 144-145

[14] Mel Gordon, Voluptuous Panic: The Erotic World of Weimar Berlin, p.39

[15] Mel Gordon, Ibid., p.43

[16] Mel Gordon, in an email to this author (1 March 2013).

[17] Mel Gordon, Ibid., pp.28-32

[18] Quoted in Stephen Lemons, Paradise regained: Weimar Berlin’s depraved, sin-filled nights tantalize the imagination anew in Mel Gordon’s “Voluptuous Panic”.

[19] Stephen Lemons, Ibid. If 30 cents for a blowjob was considered a bargain for the American tourist in Weimar Germany, it is of interest to note that the blowjob rate for sex tourists in Moldova today is considerably lower—only 20 cents a pop. We learn this from a book originally published in Hebrew in Israel (In Foreign Parts: Trafficking in Women in Israel, by Ilana Hammerman. Am Oved. 199pp). “The local rate for sex services at the Chisinau train station,” we are told, “is about NIS 0.70 for a blowjob.” (Quoted in “Land of Filth and Honey”, by Eli Shai, Jerusalem Post, November 5, 2004). 0.70 New Israeli shekels works out to 20 cents. Moldova, the poorest country in Europe, where the average income is US $300 per month and 20 percent of the population live in abject poverty on $3 per day, is a favorite destination for European and Israeli sex tourists, especially for pedophiles. Chisinau is the capital of Moldova, and it is at its railway station that gaunt, hollow-eyed children—some of them as young as 7—line up to offer their services to the incoming sex tourists. (See here).

[20] Klaus Mann, The Turning Point (1942), quote.

[21] Erich Kästner, quoted in “Institute for the study of western civilization: the twentieth century. Lecture 9: Weimar Culture.”

[22] Quoted in Columbia University Press review of Weimar Cinema: An Essential Guide to Classic Films of the Era, edited by Noah Isenberg

[23] The Frankfurt School: Wikipedia. For an alternative and more dissident viewpoint, see The Frankfurt School: Metapedia and its numerous links.

[24] Readers who wish to know more about the philosophical milieu of modernity—i.e., the cultural swamp of sexual bolshevism in which the benighted masses are forced to flounder today—are advised to make a
careful study of the following eight core articles:
(1) Arnaud de Lassus’s The Frankfurt School: Cultural Revolution
(2) Kevin MacDonald, The Culture of Critique, Chapter 5
(3) William S. Lind, What is Cultural Marxism?
(4) William S. Lind, Who Stole our Culture?
(5) Timothy Matthews, The Frankfurt School: Conspiracy to Corrupt. (Or my own shorter adaption of this with extended commentary, Satan’s Secret Agents: The Frankfurt School and its Evil Agenda.)
(6) Michael Minnicino, The Frankfurt School and ‘Political Correctness’
(7) Cultural Marxism: (Metapedia).
(8) Sexual Bolshevism: (Metapedia).
[25] Georges Lukács, Wikipedia.
[26] Timothy Matthews, The Frankfurt School: Conspiracy to Corrupt.
[27] Willi Munzenberg, Wikipedia. See also Sean McMeekin’s The Red Millionaire: A political biography of Willi Münzenberg, where Münzenberg is described as “the perpetrator of some of the most colossal lies of the modern age…. He helped to unleash a plague of moral blindness upon the world from which we have still not recovered.”
[28] Lasha Darkmoon, The Plot Against Art (Part 1).
[29] “The truth is that Mozart, Pascal, Boolean Algebra, Shakespeare, parliamentary government, baroque churches, Newton, the emancipation of women, Kant, Marx, and Ballanchine ballets don’t redeem what this particular civilization has wrought upon the world. The white race is the cancer of human history.” — Susan Sontag, Partisan Review, Winter 1967, p. 57. This infamous quote, once cited in the Wikipedia article on Sontag, has recently been removed.
[30] Arnaud de Lassus, The Frankfurt School: Cultural Revolution.
[31] Boiling Frog (Wikipedia)
[32] The Holocaust Timeline
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02-15-2014, 03:09 AM
Post: #4
RE: The Jewish Quarterly: Jews in the American Porn Industry
interesting article. Is Lasha Darkmoon Jewish?

I thought it was interesting that the jewish quarterly review wrote an article about jews and pornography.

Will the ADL go after them and blast them as anti-semites?
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02-15-2014, 03:13 AM
Post: #5
RE: The Jewish Quarterly: Jews in the American Porn Industry
Quote:According to one anonymous industry insider quoted by E. Michael Jones in the magazine Culture Wars (May 2003), ‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools’. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.

this is interesting. is this where the "naughty classic schoolgirl" stereotype originated?

why target catholic women?
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02-15-2014, 03:18 AM
Post: #6
RE: The Jewish Quarterly: Jews in the American Porn Industry
I am very interested in this book:

[Image: 81JoJ9IlKBL.jpg]

written by a cal prof.

I did not know that weimar germany was this decadent. i heard about it, but did not know the extent.
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02-15-2014, 03:20 AM
Post: #7
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 03:13 AM)EVILYOSHIDA Wrote:  
Quote:According to one anonymous industry insider quoted by E. Michael Jones in the magazine Culture Wars (May 2003), ‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools’. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.

this is interesting. is this where the "naughty classic schoolgirl" stereotype originated?

why target catholic women?

Interesting point.
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02-15-2014, 03:41 AM
Post: #8
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 03:09 AM)EVILYOSHIDA Wrote:  interesting article. Is Lasha Darkmoon Jewish?

I thought it was interesting that the jewish quarterly review wrote an article about jews and pornography.

Will the ADL go after them and blast them as anti-semites?

I believe she's of Catholic background.

Yeah, surprised the ADL haven't attacked this publication or the author. Perhaps they're concerned about giving them publicity?
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02-15-2014, 04:00 AM (This post was last modified: 02-15-2014 04:00 AM by Daglord.)
Post: #9
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 03:20 AM)BRIC Countries Wrote:  
(02-15-2014 03:13 AM)EVILYOSHIDA Wrote:  
Quote:According to one anonymous industry insider quoted by E. Michael Jones in the magazine Culture Wars (May 2003), ‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools’. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.

this is interesting. is this where the "naughty classic schoolgirl" stereotype originated?

why target catholic women?

Interesting point.

my guess would be the uniforms Tongue & the stereotypical strict upbringing.

when i was growing up, the only schools that made you wear uniforms were the catholic schools .
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02-15-2014, 04:05 AM (This post was last modified: 02-15-2014 05:46 AM by antidisestablishmentarianism.)
Post: #10
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 03:18 AM)EVILYOSHIDA Wrote:  I did not know that weimar germany was this decadent. i heard about it, but did not know the extent.

Just another factor in how the National Socialists could rise to power. The decadence Hitler also witnessed in Vienna during his lost bohemian years while trying to find his calling, The "stab in the back legend" that WW1 was lost only because higher ups (jews, socialists, communists,ect) conspired to organize Germany's surrender/overthrow of the monarchy and subsequent signing of the Treaty of Versailles thus limiting Germans military to small numbers causing the organization of the Freikorps ( a group comprised of unemployed ex German soldiers,) It was a paramilitary organization which helped defeat the short lived Bavarian Soviet Republic and gave way to the SA, SS, and eventual German Workers Party (Nazi Party)


Stab in the back legend
[Image: Stab-in-the-back_postcard.jpg]
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02-15-2014, 04:16 AM
Post: #11
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 03:18 AM)EVILYOSHIDA Wrote:  [Image: 81JoJ9IlKBL.jpg]


The woman on the far left in the middle bears a striking resemblence to a young Madonna. ( or am I just seeing thangs?)
[Image: 92b53cdd2d4130a89984b1e36e5cf29a.jpg]
[Image: madonna_l.jpg?w=650&h=867]
[Image: mo7921.jpg]
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02-15-2014, 04:41 AM
Post: #12
RE: The Jewish Quarterly: Jews in the American Porn Industry
Madonna was raised catholic IIRC.

it does seem Catholicism is often targeted by various groups.
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02-15-2014, 05:17 AM (This post was last modified: 02-15-2014 05:30 AM by antidisestablishmentarianism.)
Post: #13
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 04:00 AM)Daglord Wrote:  
(02-15-2014 03:20 AM)BRIC Countries Wrote:  
(02-15-2014 03:13 AM)EVILYOSHIDA Wrote:  
Quote:According to one anonymous industry insider quoted by E. Michael Jones in the magazine Culture Wars (May 2003), ‘the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools’. The standard porn scenario became as a result a Jewish fantasy of schtupping the Catholic shiksa.

this is interesting. is this where the "naughty classic schoolgirl" stereotype originated?

why target catholic women?

Interesting point.

my guess would be the uniforms Tongue & the stereotypical strict upbringing.

when i was growing up, the only schools that made you wear uniforms were the catholic schools .

I agree with this assessment Dags, In my area the failing schools with poor grades and gang affiliations or other crime, violence and drug issues are made to wear to a uniform to implement uniformity and prevent the distraction that wardrobe can provide in the poverty, sexual, gang affiliation areas.

The obvious sentiment is that the perceived sexually oppressive backgrounds of the Jewish and Catholic faith would be ripe to sexually exploit and distort in the psychological, emotional and visual sense that pornography displays.
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02-15-2014, 05:28 AM
Post: #14
RE: The Jewish Quarterly: Jews in the American Porn Industry
i don't think catholicism is sexually oppressive.

they just tell you what is right and what is not right. there is literally no punishment for not following their teachings.

90% of catholics probably use birth control. the church just says its wrong.
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02-15-2014, 05:41 AM (This post was last modified: 02-15-2014 05:41 AM by antidisestablishmentarianism.)
Post: #15
RE: The Jewish Quarterly: Jews in the American Porn Industry
(02-15-2014 05:28 AM)EVILYOSHIDA Wrote:  they just tell you what is right and what is not right.

There might not be many physical or standard "punishments" but the results of breaking these psychologically perceived rules can result in being disowned and ostracized thus creating a lifelong punishment worse than any physical or monetary restrictions.
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